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Scripting Spaces:

Designing between cultures of controls & commons

Research-led urban design & publication

Scripting Spaces challenges the dominant urban design ideals of sterility, control, and efficiency that shape many public spaces in developed cities. It recognizes how urban environments in developed countries like the U.S. are often designed to instruct rather than invite, reducing streetscapes to clean corridors of movement, stripped of spontaneity, diversity, and public agency. In contrast, the thesis turns to the public spaces of cities in developing countries like India, where streets are layered, negotiated, and socially embedded. What is often dismissed as “messiness” is reframed here as a vital urban affordance - a condition that supports informal economies, social rituals, adaptive use, and shared ownership.

 

The thesis proposes a more human-centered model for public space design. Through cross-cultural comparison the project repositions informality not as a flaw, but as a opportunity. By studying these contexts and designing a series of public space experiments in Austin, the thesis presents a design methodology for observing, prototyping, and enabling “urban looseness.”

Cross-cultural Urban Study · Behavioral Mapping · Sensory Ethnography · 
Iterative Prototyping · Documentation · Research Led Design

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Research Outcome

The project culminates in a design methodology : a framework of low-tech, in-situ public experiments that act as both research tools and spatial provocations. These iterative interventions help urban designers better observe, understand, and design for looseness, adaptability, and everyday life. It invites planners, designers, and urbanists to rethink who cities are designed for and how design can create space for the unplanned.

Research to Publication

8x10" Printed Book

Tools Used: Adobe InDesign, Illustrator, Hand-mapping, Photography

To translate a layered and fieldwork-driven thesis into an accessible, visually engaging design publication. The book functions as both a research artifact and a designed object, echoing the thesis’s core message: that the human pulse of the city is found in the overlooked, the improvised, and the informal. The publication embodies the content through a clean typographic system with playful visual disruptions reflecting "looseness."

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